OBSERVATIONS
EDWINA ROOKER

    The world-renowned Preservation Hall Jazz Band,  direct from Preservation Hall in New Orleans,  is touring the country,  raising money for New Orleans jazz musicians,  displaced by Hurricane Katrina.
    We loved having them in New Bern and were proud to say that the Jazz Preservation Society of New Bern sponsored them.  We showed our respect  and adulation with two sold-out performances,  exuberant applause,  and standing ovations.
    But in New Bern an unusual event occurred.  One of our own was honored, too.  He was a young, long-haired jazz musician and sometime surfer, Dail Reed.
    At first Dail was just delivering a set of drums and an upright bass to the New Bern Civic Theatre, lending the instruments to the famous ones.  Dail, a member of the jazz band, The Hanging Chads, was delighted about that,  happy to oblige on late Sunday morning for the 1:30 performance.
    Then the musicians told him that their bassist,  Ben Jaffe,  was tied up in Europe and asked, "Would you play with us?"
    We give Dail points for just showing up in a suit at the last minute,  but he did more than that    He played,  laughed, and declined any solos at the afternoon performance.   At the evening performance,  he was more familiar with the music( I reckon so!),  and he credits the banjo player, Carl LeBlanc, with giving him a solo.
    We might have been proud and excited to help bring the group to town,  but we cannot match the joy Dail felt while playing with them.  For him, it was Christmas Day.
    In his other life,  Dail, sometimes called a workaholic, is my carrier's technician for The Internet,  and he's a guru there,  as well as on the stage.  No wonder his web site is www.datgeek.net
    The Preservation Band  told us they had been in New Orleans the previous week for the funeral of Narvin Kimball , the last remaining founding member of the band, who had played banjo with Preservation Hall for 40 years.  The current banjo player, LeBlanc,  a relative newcomer,  showed us the banjo Kimball had given him.  The band played Just A Closer Walk With Thee in his memory.
    The Preservation Band closed the concert with When The Saints Go Marching In (yes!) and led many people from the audience down the theater aisles and on to the stage.
    Not too long after the afternoon performance, the biggest tour bus I've ever seen drove the block and a half to the corner of South Front and Middle Streets to the seafood restaurant on the corner,  Capt. Ratty's,  to hang out and eat.
    Dail walked around the corner, but you better believe he was there, too.
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    If you're from out of town and you're planning to come to Warrenton for the Spring Homes Tour, April 29-30, The Ivy Bed and Breakfast  on North Main Street is offering a package for the weekend.  Rates include a tour ticket, an optional lunch, and a 3-course breakfast.  And you might get to stay in the Edwina Rooker room.


Preserving jazz (with a little help from a New Bern friend)
March 30,2006
TOM MAYER View stories by reporter
SUN JOURNAL STAFF

I didn’t know Ben Jaffe wasn’t in town. I should have known. I should have known because there should have been a great gapping gorge on the New Bern Civic Theatre stage Sunday. A yawning divide precisely where the bass player — that was Jaffe — should have been standing.

Instead, a concert featuring what Jazz Preservation Society of New Bern Executive Director John Sprague rightly called “iconic jazz” and “jazz in its purest form,” went on. With the last-minute addition of local jazz bassist Dail Reed on acoustic bass, New Orleans’ Preservation Hall Jazz Band transformed the New Bern theater into featured seating at the band’s home venue — the drafty, dusty, delightful Preservation Hall on St. Peters Street, New Orleans, parts of which are 256 years old, and all of which is kin to the riff roots of seminal jazz music.

Those roots were well exposed Sunday.

Although Jaffe, current director and son of former Preservation Hall managers Sandra and Allan Jaffe, wasn’t on-stage, the band was ably led by trumpeter John Brunious. Born in the Crescent City in 1940, Brunious doctored the stage with experience, his signature high-note solos and a singing voice as wonderfully smooth as the gravel and sediment that form the foundation of his hometown.

Complemented by equally proficient colleagues — Frank Demond on trombone, Ralph Johnson on clarinet, Joe Lastie Jr. on drums, Rickie Monie on piano and Carl LeBlanc on banjo — Brunious led the troupe through a two-hour romp of original and classic jazz with the melding of take-a-turn vocalizations from Brunious, Demond and LeBlanc and workmanlike instrumentation that coagulated into a structured discordance that is the essence of this music.

Yet if any disparaging mark must fall on this stage, let it fall there: that essential cacophony did hit, albeit briefly, shallow pockets of too deep discordance.

That this band is well-versed in one another’s foibles and idiosyncrasies there is no doubt. That they can play off one another — as all great jazz bands must — with half an ear cocked and an eyebrow raised is obvious. That is why those subtle and quick changes that fell just short of working on-stage were the antithesis to a flawless performance.

And yet, this is jazz. For a performance to be minus such conventions, to be flawless, would be antithetical to the art form. There is, after all, no script.

There is only the band, this one band combed from the denizens of the myriad musicians once found in New Orleans. This one band, making music the way it was made a century ago. Making music the way it is rarely made today.

For two sold-out performances Sunday — roughly 900 seats — the Preservation Hall Jazz Band cemented its international reputation in New Bern through raw talent and solid styling.

The Jazz Preservation Society of New Bern, especially with proceeds winding into Jaffe’s penchant for helping displaced New Orleans musicians find their way home after Hurricane Katrina and more locally, into a renovation fund for the New Bern Civic Theatre, cemented its local reputation as a purveyor of the best this art form has to offer.

By Tom Mayer, features editor of the Sun Journal. He can be reached at 635-5662 or tmayer@freedomenc.com.

If you went

 

What: Preservation Hall Jazz Band

When: 1:30 p.m. March 26

Where: New Bern Civic Theatre

Contacts: www.jazzpreservationsociety.com